Born in 2016 from the Turin clubbing and music scene, today RECALL is an independent cultural platform and experiential ecosystem combining music, installation art, performative practices, and contemporary storytelling.
With over 100 initiatives spanning physical and digital experiences, Recall expanded to key cultural hubs including Milan, Venice, Paris, London, Amsterdam New York, and San Francisco, building an international presence and a global community, while remaining true to its Turin roots.
Today, RECALL develops multidisciplinary projects at the intersection of music and art, acting as a bridge between artists, creatives, audiences, brands, and cultural institutions, promoting a collaborative, ever-evolving cultural ecosystem.
RECALL curates an eclectic soundscape where electronic pulse meets acoustic resonance, hybrid performance, and cross-genre experimentation.
Artists who have collaborated with Recall include Daddy G (Massive Attack), Tiga, DJ Boring, Fort Romeau, Radio Slave, Bambounou, Lawrence Guy, Stimming, Zebra Katz, Chloé Robinson, Cameo Blush, Impérieux, XIII, Sabla, Mai Mai Mai, |||||||||||||||||||||| (barcode), and GNMR.
Recall’s closest roster includes HolyU, Octavio Octavio, PALINDROME, Michele Di Martino, and Emanuele Barilli, supported by a wider circle of artists and music editors who contribute to the project’s musical direction and ongoing curatorial development.
PROJECTS
RECALL X
URBAPHONIA
.WAV
TEATRO
SESSIONS
SHOWCASE
ARCHIVIO (2020-2023)
URBAPHONIA
URBAPHONIA is an experiential project at the intersection of sound art, contemporary practices and urban culture.URBAPHONIA treats the city as an instrument. Sound and artistic expression are living matter — means of connection, representation, and shared imagination.
THE CITY GENERATES SOUND
SOUND GENERATES THE CITY
Born in 2025, URBAPHONIA debuted on the Pista 500 of Lingotto and has since established through urban activations and mixed-media releases, earning endorsement from major cultural and artistic institutions while remaining rooted in accessible formats and site‑specific dramaturgy.